It’s been over a month that we’ve published our last post here on the blog and on Facebook, when we introduced our new “partner in crime” Rou Reynolds. We didn’t really mean to take that long a break, but there was just a lot going on in other areas of our lives, and the work we started doing for the film at the beginning of the year is maybe a little less interesting now: We now need to review and transcribe all the material that we have collected, i. e. carefully look at and write down everything that we’ve filmed. The biggest task in that may be the transcription of all the interviews that we’ve done — writing down word for word what our (key) protagonists have told us. Only then can you properly work with all that content.
If we only look at the key conversations with Katherine Trebeck, cutting it down to only the things she said to us (in other words, taking out our questions, etc.), we still end up with over four and half hours of footage. I’m almost done transcribing that. The next job will be to transcribe everything that we’ve got from Lorenzo Fioramonti, and with him we did a whole lot more interviews, so … I’ll be transcribing those for weeks.
But this week, we’re back on the road. It’s the last regular filming trip that we’re taking to Italy — Lorenzo and his team are putting on a “Wellbeing Economy Conference” here in Rome on Thursday, and we’ve come down one more time to follow Lorenzo, spend time with him, and film at the conference.
During the week, we’re staying at Nicoletta’s and Daniele’s place — Nicoletta is Lorenzo’s personal assistant, we’ve known her for quite some time now, and we’ve become friends with her and her boy-friend Daniele. And for this week, they invited us to stay with them, which is incredibly generous. The apartment outside Rome where they live has an amazing terrace with an incredible view, and that’s where we had breakfast this morning (see the photo above). In a few minutes, we’ll travel into the city, and then it’s back to work, filming and trying to figure out how to best capture what we see before us.